West Side Story Compared to Romeo and Juliet
West Side Story written by Arthur Laurents is actually a modern-day adaptation of Shakespeare’s Romeo and Juliet. The West Side Story is set in Upper West Side Manhattan. It has to do with competition in between 2 teenage gangs of different backgrounds. Anton, a member of the white gang, fell for Maria, the sibling of the leader of the competing Puerto Rican gang. Romeo and Juliet is unquestionably the most popular romantic love story to ever hit the literary world. It speaks about extreme passion in between the star-crossed lover Romeo and Juliet.
Their love was doomed from the start because of their feuding households- the Montague represented by Romeo and Capulet, by Juliet. The overriding style, of course, in between the two stories??? Romeo and Juliet and The West Side Story is love ??? deep, extreme and passionate love. The kind that defies whatever even households and loyalties. The love Tony felt for Maria and Romeo for Juliet made them defy their households, their good friends and their social world. Their love is strong and powerful, so much so that it made them revolt against the very world they revolved in and, sometimes, even against themselves.
Strength of ideas and feelings dominate both stories. In the case of Romeo and Juliet, Romeo’s character takes on strength to another level. His capability for deep passionate love is merely an extension of his capacity for intense feelings of all kinds. His strength is evident when he sneaks into opponent’s territory to seek Juliet. Or, when he eliminates his better half’s cousin in a battle. And lastly, when he committed suicide upon incorrectly believing Juliet is dead. The same way, Tony of the West Side Story can severe feelings.
This is when he eliminated his fan’s bro Bernardo in a heated argument. He also challenged Chino to eliminate him when he believed Chino eliminated Maria which as we understand led to his unforeseen demise towards the end of the story. Both male characters appear defined by their extreme emotions and capability for deep love. This deep extreme emotion shared by both male protagonists is what propels both stories forward. Had these male characters, Romeo and Tony, did not have such strength of sensations in the very first location, the love they feel for their women ??? Juliet and Maria respectively, would not have existed.
The women, on the other hand, exhibit logic, neutrality and strength. Juliet, for instance, showed her decision when she initially obeyed her parent’s demand to attempt to enjoy Paris, their preferred suitor. The exact same method, Maria revealed force of will over emotionswhen she consented to marry Chino. Their neutrality discovers when Maria decided to flee the city with Tony to leave the chaos behind them. When Romeo eliminated Tybalt, Juliet did not follow Romeo right now. Rather she made a logical decision to allow her love for Romeo to direct her concerns.
Both Juliet and Maria, in essence, chose to cut themselves loose from their social connections when they chose to follow their love. Juliet cut herself off from her Nurse, her parents and her social status when she followed Romeo. Maria cut loose from her family, her dead bro’s memory and her social circle when she decided to run away with Tony. Juliet eliminated herself upon discovering that Romeo is dead not out of weakness however out of love. She stabs her heart with a dagger which showed a lot more courage than removing pills. Maria, on the other hand, did not dedicate suicide upon seeing Tony killed by Chino.
She used the catastrophe to point out to the feuding groups Jets and Sharks how their hate led to Tony’s death. The 2 groups stated truce at the same time. There is no particular spirits that one can collect from both stories on love and relationships. Both stories seek to portray the mayhem and challenges that surround passion and love. Violence brought about by love is another theme that penetrates in both stories. In both stories, love is connected to death. As when it comes to Tony who passed away at the end of the story in West Side Story. The same goes to Romeo and Juliet, who met untimely death at the end of the story.
Violence is really pronounced in both stories as we are being made painfully aware from the very start that the two protagonists originated from feuding clans such as in Romeo and Juliet or feuding culture such as in The West Side Story. We have this unshakeable sensation that problem is brewing as soon as the story starts. Another theme in the story is the dispute of individual self with society. What the protagonists in both stories Romeo and Juliet desired were different from what the society expected from them. Romeo and Juliet defended their personal sensations to the end by devoting the supreme act of privacy- suicide.
In the exact same vein, Maria and Tony fought for their personal love however they did not truly turn to severe means. Tony’s death is not brought about by suicide although he challenged the bad guy Chino to come to kill him when he believed Maria was killed. Still, Tony’s death is not self-inflicted or voluntary as when it comes to the lovers Romeo and Juliet. Comparison: There is a lot in typical between the two plays Romeo And Juliet and West Side Story. The primary male characters have lots of things in typical. In truth, Toni and Romeo both miss out on the starting battle at the beginning of the plays, they both fall in love and wind up getting killed.
The difference in between the 2 is that Toni occurs in the 1950s”, while Romeo occurs in Elizabethan times (the late 1500s). The two main female characters likewise have lots of things in typical. Juliet and Maria both originated from families that hate each other’s sweetheart’s families. Something that makes Juliet different from Maria is that Juliet dies and Maria lives. In both of these plays the main male character eliminates a relative of their fan. In Romeo And Juliet, Romeo eliminates Tybalta, Juliet’s cousin. In West Side Story, Toni eliminates Bernardo, Maria’s sibling. There was an individual in both play’s that tried to make peace.
These individuals were the Prince and the Lieutenant. The Prince, from Romeo And Juliet, had actually told Romeo and Juliet’s households that if there was another riot that the heads of each family will be killed. The Lieutenant, from West Side Story, had told the Puerto Rican’s and the American’s that if they enter another fight they all will need to go to jail. The difference between the two peace-makers is that the Prince has more power than the Lieutenant. In the story of Romeo and Juliet, Paris wants to marry Juliet against her desires. Her dad wants Paris West Side Story to wed Juliet.
Juliet goes off and marries Romeo without telling anyone. In Chino wants to marry Maria against her desires, just like Paris in Romeo and Juliet. Maria and Toni do not get married, which remains in contrast to Romeo and Juliet. Marcucio in Romeo and Juliet, is killed while battling Tybalta. In West Side Story Riff is eliminated in a knife battle with Bernardo. Both deaths are unintentional and trigger the hero’s (Romeo and Toni) to eliminate the close relative of their enthusiasts (Tybalta and Bernardo). Both stories conclude in the unfortunate reconciliation of two combating factions at the cost of the lives of the two young lovers.
After comparing and contrasting the 2 plays I’ve come the conclusion that Romeo and Juliet is much better than West Side Story. It is better because the language and the story relocates a more fascinating manner. “A grooming peace this morning with it brings. The Sun for sadness will not show his head. For never ever existed a story of more problem, than this of Juliet and her Romeo”. Romeo And Juliet– Comparisson to West Side Story (Essay) Andy Warhol once stated, “They state that time modifications things, however actually you need to alter them yourself. Two hundred fifty years passed between the original Romeo and Juliet and the premiere of West Side Story on Broadway in 1957. However, time did not change the message of the story, simply the developers’ distinct visions progressed. Shakespeare’s shipment of the timeless tale of desperate love in his traditional Romeo and Juliet proves to just heighten through retelling and modern-day interpretation. Audiences cherish Romeo and Juliet as one of the most beloved plays of all time from the Elizabethan Age to the present. Romeo and Juliet have obtained the role as the essential fans, and the noun, “a Romeo,” is synonymous with” fan. Shakespeare’s Romeo and Juliet is closely based upon Arthur Brooke’s tale, The Tragicall History of Romeus and Juliet. The language, mindsets, and customizeds detailed in the play are usually English, in spite of Brooke’s initial Italian setting. In 1949, choreographer Jerome Robbins chose to retell Brooke and Shakespeare’s romantic tragedy using song and dance, aspects of racism and nationalism, and a modern-day vernacular. Robbins hired the musical talents of composer Leonard Bernstein and the words of Arthur Laurents for the script and book.
The love story showed to have universal appeal throughout all creative kinds, as it had actually currently been adjusted for opera and ballet. The contemporary adaptation of this timeless traditional alters details and deepens the message of hatred, however maintains Brooke and Shakespeare’s vision. The relationships in between the characters, plot series, and style of hatred in West Side Story and Romeo and Juliet link leading to 2 comparable, yet differing variations of the most well-known love story of all time. The relationships between the characters of West Side Story and Shakespeare’s
Romeo and Juliet are reflective of their particular time periods and the initial story. Maria and Juliet represent a slightly useful equivalent to both Tony’s and Romeo’s optimistic nature. Maria’s brother Bernardo and Juliet’s cousin Tybalt depict impulsively persistent and violent characters who both pass away from wounds inflicted by the male lead. Lieutenant Schrank is similar to Prince Escalus, although Schrank is unjust in his treatment and mindset towards one gang- the Sharks. Anita and Nurse both handle the function as Juliet’s confidant and relied on buddy, typically tampering with their roles as messengers.
The mischievously tomboyish Anybodys, who frantically wants to be a Jet, would best fit into the function of Balthasar, since it was she who aided Tony in leaving after the rumble, in addition to later informing the other Jets that Tony was being hunted. Finally, the character of Doc appears to meet the function of Friar Laurence due to the fact that both possess somewhat of a peacekeeping nature. Doc tries to get through to Tony by considerably pleading, “Why do you live like there’s a war on? Why do you eliminate?” (2. 5). All of the characters correspond to the body and soul of the story in addition to the a little differing plots.
West Side Story maintains Romeo and Juliet’s intricate and exciting plot using proper adaptations to accommodate mid-twentieth-century pop culture. For example, both creative forms depict shared disrespect in between the parties. At the dawn of Romeo and Juliet, Capulet’s cohorts harass Montague’s. “I will bite my thumb at them; which is a disgrace to them, if they bear it,” boasts Sampson (1. 1. 42-43). In the opening scene of West Side Story, numerous members of a Puerto Rican gang insult A-rab, a member of the opposing gang. It is here where Lieutenant Schrank becomes mindful of the possible rumble.
In Romeo and Juliet Escalus, Prince of Verona, threatens, “If ever you interrupt our streets again, your lives will pay the forfeit of the peace” (1. 1. 103-104). In West Side Story, Schrank moderates in his own method when he declares, “I got a hot surprise for you: you thugs don’t own the streets”(1. 1). Later, another similarity takes place. Riff persuades Tony to attend the dance at the fitness center just as Benvolio encourages Romeo to attend the Capulets’ masquerade. Tony admits to Riff that he’s “reachin’ out for something”(1. 2), simply what, he does not know. Riff motivates Tony by proposing, “Perhaps hat you’re waitin’ for’ll be twitchin’ at the dance!” (1. 2). Shakespeare and director Jerome Robbins pick to draw the audience’s attention to the remarkable fans by providing distinct and distinguished qualities. At the Capulet ball in Shakespeare’s Romeo and Juliet, all of the characters speak in blank verse, however when Romeo and Juliet converse, they speak in sonnet type. Throughout the dance at the gym in West Side Story, both of the gangs’ members dance a mambo, but Tony and Maria dance a cha-cha. Bernstein and Robbins translated Shakespeare’s spoken word into contemporary dance techniques (Gravely 1).
Together with the dance environment, the discovery of the doomed love affair is interpreted in an unique fashion in West Side Story, possibly losing enthusiasm in the adjustment. Upon the revelation by Juliet’s kinfolk of her new love for the enemy in both versions, the leading woman responds in comparable good manners. “Could not you see he is among them?” (1. 4.) Bernardo asks Maria, his sis. “No; I saw only him,” (1. 4) she replies. Sixteenth-century Juliet’s exclamation was starkly more eloquent: My only love derived from my only hate! Too early seen unknown, and understood too late! Prodigious birth of love it is to me,
That I need to love a loathed enemy. (1. 5. 140-143) “The balcony scene” is mirrored in West Side Story as the “fire escape scene.” Romeo metaphorically asks Juliet to “occur, fair sun, and kill the jealous moon” (2. 2. 4). Throughout the emergency exit scene, Tony and Maria sing Leonard Bernstein’s’ s melody, “Tonight”: Tonight, tonight, The world has plenty of light, With suns and moons all over the location. Tonight, this evening, The world is wild and intense, Going mad, shooting sparks into space. (2. 5) Before drawing apart, both lovers agree to satisfy the following day. Romeo and Juliet are to assemble “by the hour of nine” (2. 182) and Tony and Maria” [at] sundown” (2. 5). The tumultuously intense conference influences the young romantic lead to work out peace in both variations. Tony, at the demand of Maria, attempts to stop the violent affairs by pleading, “Bernardo you’ve got it incorrect/ Are you chicken?/ You won’t comprehend” (2. 5). Simply as Romeo protects his pacific nature by describing, “O sweet Juliet,/ Thy beauty hath made me effeminate/ And my mood softened valour’s steel” (3. 1. 109-111). In Spite Of Romeo and Tony’s brave efforts, Mercutio assaults Tybalt, which culminates with Riff’s attacks on Bernardo.
Both episodes result in the deaths of Mercutio and Tybalt, and Riff and Bernardo. Paradoxically, the peacemaker himself, in both works, murders his precious’s relative: I do demonstration, I never injured thee But love thee better than thou canst design, Till thou shalt know the factor of my love: And so, excellent Capulet, which name I tender As very much as my own, be satisfied. (3. 1. 71-75) While Romeo is pushed into exile for his action, Tony is so horrified by his own behavior he ends up being a fugitive and prepares to get away with Maria.
While looking for the male who has apparently eliminated his beloved, Tony areas Maria, alive and well, as does an enraged Chino. Just as Tony at first fell for one glace, Tony dies with a single shot. Upon discovering Romeo’s death, Juliet ends her own by piercing her chest with her truelove’s dagger. Coincidentally, an anguished Maria remains alive, although she weeps, “The number of can I kill, Chino? The number of [bullets do you have actually left] and still have one bullet left for me?” (2. 6) The universal style of hate and close-mindedness presents itself in distinct kinds in Romeo and Juliet and West Side Story respectively.
Like Romeo and Juliet, Tony and Maria are of unfavorable celebrations, and their doomed love is forbidden. Maria, a Puerto Rican, and Tony, a Polish-American, are vibrant, fresh-faced and open-minded. They are apathetic to the social borders in which they are breaking. Identical to Romeo and Juliet, love is their sole issue. Both relationships in each private period faced serious pressure when their love crossed into a various section of society. Shakespeare’s Romeo and Juliet experienced lasting, fatal fights between prominent households.
Relatively, rather of bitterness between feuding households (Montagues and Capulets), West Side Story uses prejudice in between races, as illustrated between street gangs (Jets and Sharks). The enmity between the 2 sects was improved to racism. Simply as Romeo and Juliet represent Elizabethan Italian disagreements, West Side Story relevantly represents modern-day civilization’s deceitful bigotry. Tony represents the white indigent immigrant culture, which is being threatened by the invasion of brand-new immigrant populations that are beginning new lives in America, especially the Puerto Ricans.
The adjusted ending in West Side Story includes Maria’s survival throughout the play, contrary to Shakespeare’s variation in which Juliet devotes suicide upon the knowing of her true love’s death. This modified ending clarifies the social message West Side Story delivers to its audience. Maybe Maria’s survival represents a poignant reminder of the duty everybody shares in the disaster that befell her. Unlike Romeo and Juliet, Tony and Maria were not “star-crossed” fans whose fate was identified by fate, however rather victims of the intolerance, misconception, and skepticism that appear to be ever-present in human society (Seriously 1).
The relationships in between the characters, plot sequence, and theme of hatred in West Side Story and Romeo and Juliet link resulting in 2 parallel yet slightly varying representations of the most well-known romance of all time. Shakespeare provides an entertaining, witty and sometimes sexually provocative representation of Arthur Brooke’s tale. Robbins’ presentation of the popular timeless paints the dreadful facts of bigotry and unreasonable violence through dance, song, and music. Romeo and Juliet’s blind love is the force that unifies two enemies, just as the everlasting human spirit brings all people of the Earth united as one.