The Yellow Wallpaper vs. Story

The Yellow Wallpaper vs. Story

Contrast and Contrast Essay “The Yellow Wallpaper” vs. “The Story of an Hour” “The Yellow Wallpaper”, by Charlotte Perkins Gilman, and “The Story of an Hour”, by Kate Chopin, are alike in that both of the females in the stories were managed by their other halves which caused them to feel an intense desire for liberty. Both stories were also written from a feminist point of view. Nevertheless, the ladies in the stories had different life modifications and different reactions to their own freedom as a result of that modification.

In both stories the women’s other halves had direct control over their lives. In “The Yellow Wallpaper” the narrator’s spouse controlled her both psychologically and physically. He does not permit her to have any sort of psychological or physical stimulation. She is essentially imprisoned in her bedroom, apparently to enable her to rest and recuperate her health. She is prohibited to work and not even supposed to compose. She does not even have a say in the place or decor of the room she is forced to invest nearly even minute in. Moreover, visitors are never enabled.

She says, “It is so disheartening not to have any advice and companionship about my work … however he says he would as soon put fireworks in my pillow-case regarding let me have those stimulating people about now”(Gilman 635). Mrs. Mallard in “The Story of an Hour” needed to handle the exact same sort of affliction. Her spouse had control over her “body and soul”. She felt that he lived her life for her and did “not believe that anyone had the right to impose a private will on a fellow creature” (Chopin 13). McLauchlin 2

This control triggered both ladies to long for flexibility from their husbands’ overbearing behavior. In “The Yellow Wallpaper” it appears that the narrator wishes to drive her hubby away. She explains, “John is away all day, and even some nights when his cases are serious. I am happy my case is not serious” (Gilman 634)! This quote reveals that she is happy to see her other half away so that she may be left alone to do as she pleases without disturbance from her spouse. She is regularly rebelling against her hubby’s orders.

She writes in her journal and attempts to move her bed when there is no one around to see her. Nevertheless, she always watches out for somebody coming. The extreme desire for liberty is much more obvious in “The Story of an Hour.” Mrs. Mallard’s yearning for freedom is so strong that when she is given the news of her partner’s death, she eased that “there would be nobody to live for her throughout those coming years; she would live for herself” (Chopin 13). She yearns to live her own life without somebody being there to determine her every idea and action.

She wishes to live her own life and make her own decisions without being under the constant scrutiny of her spouse. Also, both “The Yellow Wallpaper” and “The Story of an Hour” were composed from the feminist viewpoint. The partner’s control over their spouses, and the partners extreme desire for liberty from the guys in their lives show that the topic in both stories exposes feminist concerns. Through the narrator of “The Yellow Wallpaper” the author is able to express her womanly perspective worrying the McLauchlin 3 oppressive nature of the men in her life.

This oppressive nature results in an inferiority complex being developed by the narrator. The storyteller is not able to express her viewpoint solely because it disputes with the male perspective. An ideal example of this is presented in the beginning passages of the story, where the narrator’s disagreement with her partner and brother’s concepts for her treatment. She states, “Personally, I disagree with their concepts. Personally, I think that congenial work, with enjoyment and modification, would do me good. But what is one to do?” This last sentence “But what is one to do? exhibits incredibly her oppressed female stature in the society of her life (Gilman 633). This oppressive nature is likewise expressed in “The Story of an Hour.” The author demonstrates how Mrs. Mallard is overwhelmed by her partner’s controlling nature. Mrs. Mallard reveal her own feminist viewpoint by stating that males shouldn’t have the ability to enforce the own personal will upon women. However, each woman experienced a various kind of modification in her life and reacted differently to that modification. In “The Yellow Wallpaper” the narrator’s modification was in her environment, and her reaction went from sorrow to delight.

She was forced to reside in an uninspiring space with barred windows and wallpaper she despised. She was almost locked up in the room, in order to enable her to rest and recuperate. At first she disliked the room she was confined in, especially the wallpaper. However, towards the end of the story she began to like the wallpaper and spent every waking minute taking a look at it. She says, “You see I have something more to anticipate, to eagerly anticipate, to see” (Gilman 639). But, in “The Story of an Hour” Mrs. Mallard’s modification McLauchlin 4 as that her spouse passed away, and her response went from sorrow to joy and after that back to sorrow once again. When she was initially informed of her hubby’s death, “she wept at once, with abrupt, wild desertion” (Chopin 12). However, her sorrow was brief lived. She quickly was gotten rid of with the delight that her spouse would no longer manage her. “Her fancy was running riot along those days ahead of her. Spring days, and summertime days, and all sorts of day that would be her own” (Chopin 13). Nevertheless, when she understood that her hubby was not really dead, she was conquered by grief again.

The resulting grief since her partner was not dead was so intense that it killed her. “The Yellow Wallpaper” and “The Story of an Hour” have many resemblances in between the two. Both stories had managing hubbies that directly led to the their partners yearning for freedom. The stories were also both composed from a feminist viewpoint. But, the females had various kinds of life changes and various responses to the modification in their life. Works Cited Choplin, Kate. “The Story of an Hour.” Literature for Structure. Ed. Sylvan Barnet et al. 5th ed. New York: Longman, 2000, 12-13.

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