„the Yellow Wallpaper“: Autobiography or Fiction

Assignment: „ The Yellow Wallpaper”: Autobiography or fiction? Relating to the first supporting proof where this narrative is considered an essential work of feminist literature that illustrates the attitudes of the 19th century towards ladies, more particularly their mental and physical health which the author tried to show according to her individual experience.

The short story is actually a very first individual journal entry that was composed by a lady whose partner was a doctor that had actually confined her to a bed room that he had rented for the summer. The ladies is prohibited to work and therefore she has to conceal when she is composing in her journal since the husband thinks that in this method she could recuperate from what he calls a “temporary worried depression– a slight hysterical propensity;” which was likewise a typical medical diagnosis to ladies in the 19th century.

Moreover, this story depicts the result of confinement on the writer’s psychological health, which is the woman and her fall into obsession since she has absolutely nothing to promote her so she becomes consumed by the pattern and the color of the wallpaper. In the end, the woman pictures that there are other ladies sneaking around behind the patters of the wallpaper, and concerns believe that she is among them. The lady locks herself in the room with the torn yellow wallpaper and feels that now that it is the only place where she feels safe and refuses to leave.

There are supporting components within the story that makes the story an autobiography and not a fictional story. In my opinion, the manner in which the author composes in such information and in such craze about the wallpaper just offers me proof that the author herself experienced this trend of fixation over petty things for the simple reason of being confined and not having anything much better to do because she was on “rest cure” and was not permitted to be with her kid, work and even compose.

Essentially, the information that the author discusses how something basic, like wallpaper can trigger a fixation can only be composed by an individual that in fact experienced such a feeling in such a situation as composed in the story. Thinking about the second supporting evidence that Gilman herself provides a statement on why she composed “The Yellow Wallpaper”. The author described that the concept for the story originated from her own personal experience as a client and also stating that “the genuine purpose of the story was to reach

Dr. S. Weir Mitchell (who was discussed in the story itself) in order to convince him of the mistake in of his ways.” Gilman had actually experienced years of being depressed, and spoke with a doctor concentrating on the “rest cure.” He put her on a rest cure, recommending her to live as domestic as possible and was prohibited to touch and doing anything that would promote her brain. After 3 months and almost entirely giving up, Gilman decided to go against her diagnosis and continue to work and stimulate her mind once again.

And after she had realized how close she had actually pertained to the worst mental disorder, she composed “The Yellow Wallpaper” with additions and exaggerations to illustrate her point of misdiagnosis. In conclusion, “The Yellow Wallpaper” is an overstated account of Charlotte Perkins Gilman’s individual experiences where after being diagnosed and placed on the “rest cure” she eventually felt herself beginning to go gradually insane from the inactivity.

Nevertheless, unlike the protagonist in her story, Gilman did not reach the point of total insanity, however she understood that her weakening mental condition was due to the overbearing medical regime that was indicated to “cure” her. In addition, Dr. Mitchell and his treatment play a key role in the story in the 3rd section of the text where the protagonist’s hubby even threatens to send her to Weir Mitchell in the fall if she does not recuperate soon.

According to the above arguments and the supporting realities, it can only be specified that it can be nothing more than an autobiography including overstated accounts of what the author was going through personally and thus giving the short story fictional components. However, the short story is an autobiography for the easy reason of it being based on actual occasions and perceptions of the author, Charlotte Perkins Gilman, even if it consists of overstated and thus fictional components.

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