The Yellow Wallpaper

The Yellow Wallpaper

The story “The Yellow Wallpaper,” written by Charlotte Perkins Gilman, was interesting with deep symbolic undertones. The story begins with John and his other half relocating to a colonial estate for the summer season. On the other hand, the woman discovers the estate to be “a haunted house” and still she believed it had something “queer” about it. This estate and her environment have much to do with this lady’s fate. The woman simply had a child, so most of her anxiety might come from this huge event in her life but the child is just discussed a couple of times near the beginning of the story.

After she settles in the new home, the yellow wallpaper starts to bother her, which is an essential turning point in this female’s life. “The Yellow Wallpaper” is symbolic for the main character’s sanity and her entrapment, physically and psychologically. The yellow wallpaper acts like a psychological entrapment for the main character. At the end of the story, the main character rips down the yellow wallpaper to launch the lady behind the paper. This was symbolic since despite the fact that she saw a female, this lady was her.

When the narrator was mad she put that onto the wallpaper, so that is why she ripped the wallpaper down. She was trapped behind the pattern and she could not move from it. This is the point where her illness has actually gotten to the worst level. This lady is full on crazy now. The wallpaper led her to create her own madness. The main character says in the story, “There are things in the wallpaper that no one knows about but me, or ever will. “. Not even John knew what was actually going on since he was constantly working and never ever took his other half’s thoughts too seriously.

These intricate signs used in “The Yellow Wall-Paper” create Gilman’s portrayal of the injustice of women in the nineteenth century. Her twist on standard signs that generally supply a sense of security and safety adds to this woman’s own injustice, add to the caught sensation. Gilman presses this to the limit by taking those characteristics carefully associated with ladies and utilizes them against the narrator, to assist in her own oppression.

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