The Crucible, Perfume, Rhapsody on a Windy Night

The Crucible, Fragrance, Rhapsody on a Windy Night

How do composers reveal that belonging can emerge from connections with people, locations and neighborhoods? In you respond to, refer to your recommended text and a minimum of 2 related text of your own picking. An individual’s experience of approval and inclusion are needed values in the humanity where one’s sense of belonging is an essential element. This could be developed from connections emerging in between individuals, locations and communities where perception and concepts of belonging or not belonging vary.

This is shaped within the cultural, historic and social context where the elements of belonging in regards to ideas of identity, relationships, understanding and acceptance are developed. The core text, The Crucible, an unique by Arthur Miller, related texts Fragrance: The Story of a Killer by Patrick Suskind and Rhapsody on a Windy Night, a poem by T. S. Eliot, reveal the characters’ options to belong and not to belong and the barriers which avoid a sense of belonging within the people, locations and neighborhoods.

The Crucible, embeded in 1692, focuses on the historic context of the witch-hunt took place in Salem which is likewise parallel to the McCarthyism age, where both duration’s social stability was challenged. Miller utilized the Salem witch trials as a metaphor of the McCarthyism where he used the play to criticize America’s social compliance and mass hysteria which links to Salem’s desire for power and domination through the social hysteria.

The play reveals that individuals often prey on those who are thought about outsiders, especially when the accuser is motivated by greed and fear. As Danforth demands the ‘truth’ from Mary Warren in Act 3, “Has he ever threatened you? “, suggests that he is looking for the answer that will satisfy him, separating Mary Warren’s response possibly because she is a child who is simple to control. But all organization is and need to be grounded on the idea of exemption and prohibition, just as 2 items can not inhabit the very same area” represents the society highly values the need to be restricted and not private which shows the extremely religious society they were making it through in, and were thought about “heathens” if not believing God which already shows the ‘belonging’ that the people of the society is anticipated to follow. This signifies that there was no individuality within this community and that change and differences were definitely limited from the society.

When Tituba was threatened “you will admit or I will whip you to death” and then comforted “we will safeguard you” connotates the juxtaposition that is displayed in order to recommend the paradoxical scenario within the community and characters where the sense of belonging is revealed through the characters’ acceptance way in such controlling method, highlighting all the connections of people, locations and community used to express the emerging sense of belonging.

Moreover, Patrick Suskind’s Fragrance: The Story of a Killer reveals the protagonist, Grenouille, as an outcast from society due to the fact that of his superstitious sense of smell which connects to the idea of ‘witchcraft’ as a barrier of belonging in The Crucible. With alienation and hatred for humanity as the main theme of the novel, the barriers that he face that avoids sense of belonging is represented through scent. His superhuman sense of smell, his body’s lack of fragrance and murderous acts he commits ultimately leads himself to be separated from individuals, locations and community and with that, he begins to frown at humanity. A baby is not yet a human being; it is a prehuman being and does not yet have a completely developed soul.” Here, Father Terrier explains Grenouille as a baby. The undertone of kid as subhuman currently shows the barrier that prevents a sense of belonging which might also recommend how the environment of the society is presented in the text. “That cry, given off upon mindful factor to consider, one might almost say upon mature consideration, was the newborn’s decision versus love and however for life. Suskind’s use of personification gives the ‘cry’ human functions to attribute powers of understanding and volition to a newborn which they might not possibly had. A newborn making ‘mature’ considerations and decisions is ridicule, that makes the lead character appear more monstrous not just to the audience but the community. Another remark that highlights Grenouille’s detachment from society is considered by the characters around him. “He wanted all just an apprentice, which was to say, a no one. Strictly speaking, he was less than a nobody, considering that a correct apprentice needed to be of faultless i., genuine, birth, to have family members of like standing, and to have a certificate of indenture, all of which he lacked.” Making use of repeating of ‘no one’ is displayed to underline his absence of mankind, his ugliness, his lack of desire for love, superstitious capability to smell and his name, which suggests frog, separates him from the rest. Due to the fact that of his lack of fragrance, it is believed that Grenouille never ever makes a genuine connection with another person and that no one sees him as a human, not even himself. Similarly, The Rhapsody on a Windy Night by T. S. Eliot likewise shows the protagonist’s lienation from individuals, locations and community through complex imagery. With respect to The Crucible and Fragrance: The Story of a Killer, the poem reveals the isolation the protagonist experience from the rest through the lack of interaction and interaction in between people, places and neighborhoods through a midnight ‘walk’ where his memories are activated and considered as a walk for the last time. “The street light sputtered, the street light murmured” shows making use of personification of the street lamps to restate the concept of loneliness and that he is estrangement towards the society.

It also uses onomatopoeia and rhyme to develop the rhythm of strolling, creating the atmosphere of isolation. The street lamps might also signify the exposure of memories which are activated by what the lead character sees in the light of the lamp. Throughout the poem, the only interaction that is evident is just the street lights and there’s likewise a female who “thinks twice towards him”. This not just reveals that there’s lack of communication in between the lead character and the world, but also that people around can not make necessary human contact. I might see absolutely nothing behind that kid’s eye” communicates the opposite of children who are portrayed as bright and innocent characters but this could recommend that even kids can no longer communicate. “Every street light that I pass beats like a fatalistic drum” utilizes simile to show the catalyst for a series of thoughts, memories and images going through the protagonist as he passes each street lamp and also might represent hope in the dark setting. “As if the world quit the secret of its skeleton, stiff and white” supports the concept of quiting on the world, hence life. Stiff and white” suggests that the world has no goodness and no miracle and likewise symbolizes the world as hollow with no inside, flesh or soul. This could connote the truth that the neighborhood is the barrier that prevents a sense of belonging as it’s decaying and there is no hope provided for it. This is emphasized in the last stanza where he “sleep, get ready for life”. It could suggest the afterlife, hence death. Through the notions of lack of interaction, the author demonstrates that sense of belonging or not to belong through the connections in between people, places and neighborhoods.

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