Satire in 1984 and V for Vendetta
December 2, 2012 “satire in 1984 and V for Vendetta” A lot of headaches are horrendous. In these misconceptions, the subconscious’ worst-case circumstances are released. Imagine a nightmare come to life. What kind of government exists? There is most likely a despotic leader requiring upon society oppressive procedures, controling them through authority and control. This is an example of a dystopia. Analyzing this disturbing scenario helps slam and ridicule something of truth. This is called satire, and in this case, satire of a dystopian society.
George Orwell’s 1984 has to do with a protagonist, Winston Smith, living under a police state in Oceania. He befriends and forms a brave relationship with an audacious dark haired lady, named Julia. Together they rebel versus “the Celebration,” and it’s artificial leader, Big Sibling, by joining ‘Goldstein’s’ underground society (which ends up being counterfeit by O’Brien). Both Winston and Julia get caught and tortured into unmitigated acceptance. They end up caring what they were battling so hard to change. V for Vendetta is a movie, directed by James McTeigue, adapted from the graphic novel by Alan Moore and David Lloyd.
The main character V, accompanied by sweetie Evey, is successful in overthrowing a dictatorship called Norsefire, through the consent and assistance of the general public. Both 1984 and V for Vendetta show satire by mocking, overemphasizing and criticizing government controls, usage of feeling and injustice towards uniqueness. Federal governments utilize propaganda to manipulate individuals into making prejudiced decisions. This has actually been mocked in both 1984 and V for Vendetta, by the government’s usage of a specific kind of propaganda, control of history.
Manipulation of history is universal in the life of society, seen through Winston Smith’s task as a history producer. He is sent out details deemed ‘incorrect’ by ‘the Celebration,’ and is made to alter this statement to be real in present, promoting the Celebration. An example of history being created is when Winston had actually learnt Julia had believed, “the Party had created aeroplanes. (In his own schooldays, Winston kept in mind, in the late fifties, it was just the helicopter that the Celebration declared to have actually invented …)” (2. 5. 153) The Party has fabricated this concept that they were the sole nventors and creators of the aeroplanes, although Winston knew this was fictitious. Because it was believed by the public that the Celebration had actually created and built such makers, they would feel pride and gratitude for them. This connects individuals and the government, producing a bond. In turn, the federal government ends up being more powerful over individuals through stated society’s support. The federal government uses this technique to manifest authority over minors. In addition, comparable to 1984, V for Vendetta likewise exemplifies deceit in info and control of the general public.
This is seen through the federal government’s control of media and info. The most compelling evidence is that of the Norsefire (the Celebration in guideline in V for Vendetta). They had actually started a national project at Larkhill and, “In the beginning, it’s thought to be a search for biological weapons and is pursued without regard to its expense. Nevertheless, the true objective of this project is power; complete and overall hegemonic dominance …” (V is speaking with Inspector Finch). The political party had actually weaponized and released an illness in the own public.
This was done to produce worry amongst the people. They then can be found in as the heroes, blaming it on religious groups. This eventually gives them a title of ‘protector,’ and ensures the public they are in good hands. Obliviously, the general public accepts this, creating an opponent with religious groups and more unifying the federal government to its people. This ridicules the federal government’s authority of basically assaulting its own people for reasons of conformity and keeping assurance of power. It symbolizes their deceitfulness, and desire to destroy their own, merely for power.
They have no respect for individuals’s wellness, although viewed as ‘protectors.’ Governments are expected to work with the general public to produce best possible choices and results. If this is the normative function of the government, should they not put their egos aside and end up being more submissive to the public? Rather than the other method around? This is indubitably mocked in both 1984 and V for Vendetta. Control of the general public, is intrinsic to the possibility of the federal government. One method is to manage the topic’s feelings. That is why the continuous theme of control through emotion is so crucial.
In turn, power is allotted to the federal government, without opposition. In 1984, emphasis is put on the public’s distorted idea of real and incorrect. Through different emotions planted in citizens, realities are skewed. Distorted feelings are exaggerated in 1984 through Winston’s experience in the middle of the “Two Minutes Hate.” He in addition to everybody included is subjected to government bias potent propaganda. After watching the ‘2 Minutes Hate,’ he says that, “At those moments his secret loathing of Huge Brother became love, and Huge Sibling appeared to tower up, an invincible, courageous protector …” (1. 15) This is a prime example of good sense and understanding being twisted into ideas of pure feeling. When ideas are manipulated by feeling, more instinctive natures emerge. Through government propaganda, 2 groups are set apart; they, as reasonable and them (the public), being emotional. This secures the federal government’s power, providing total control over the public. Such power can just been designated since the general public is accepting of this propaganda. This indicates those influenced by propaganda are weak, and select to be.
This idea of society’s unawareness is likewise seen in V for Vendetta, and brought to attention by V. On November 5th (preceding the year of the grand transformation), V, relaying on every screen prior to the general public, exposes their incompetent nature stating, “… truth be informed, if you’re searching for the guilty, you require just look into a mirror. I understand why you did it. I understand you were afraid. Who would not be? War, fear, illness. There were a myriad of issues, which conspired to corrupt your factor and rob you of your sound judgment.” Comparable to 1984 this is likewise an example of a distortion of logical thinking.
The federal government produces the feeling of worry, driven by war, fear and disease to preserve the overall compliance of the general public. In this scenario, society is considered as powerless. Since they are helpless, the federal government is their haven from these catastrophes. They federal government utilizes the weakness of the public to attain more power. Both the unique and film are satirical, exaggerating their use of emotions and enhancing the problems it develops in their society. Conformity is type in a totalitarian society. Indicating everyone has comparable ideologies, and is firmly bound by the government.
If anyone wanders off from this, they are merely ‘not implied to be,’ and are entirely alienated. This is apparent in both 1984 and V for Vendetta, criticizing the injustice of the unconventional. In 1984, people discovered with a slightly conflicting opinion, are immediately singled out and ostracized. According to Winston, “It was awfully dangerous to let your ideas wander when you remained in any public location or within variety of a telescreen … In any case, to use an inappropriate expression on your face … was itself a punishable offense. There was even a word for it in Newspeak: facecrime … (1. 5. 62) The term ‘facecrime’ in itself sounds disgraceful. If one knew committing a criminal activity, one would feel regret. Relating various facial expressions to acts of criminality associates it against decency, and thus dissuading unwanted facial expressions. Coining the term facecrime also helps to recognize unconventional residents, making it that a lot easier to punish and discourage this behaviour. If these people are restricted to such restrictions, and are not enabled to recommend change or disobedience, even through their own faces, there will be no effort at protest or rebellion.
This suggests the government will not be changed due to its residents being entirely managed by fear. Norsefire in V for Vendetta targeted particular groups such as homosexual and Muslim individuals. This is shown in Valerie’s brief biography, and her experiences as a lesbian living under the uprising of Norsefire. She states, “I keep in mind how the significance of words began to change. How unfamiliar words like “collateral” and “rendition” ended up being frightening, while things like Norsefire and the Articles of Obligation ended up being effective.
I remember how “different” became hazardous. I still do not understand it, why they dislike us a lot.” Due to the fact that she was deemed different than the rest of society, she was mistreated and tortured. This causes worry in people, causing them to avoid standing apart or showing individuality. This in turn causes society’s inability to demonstration due to this worry, making this overbearing government static. The idea that governments count on the conformity of society, to secure power, is being strongly criticized in 1984 and V for Vendetta. 984 and V for Vendetta are fine examples of a satirical story. Focusing on the government, both ridicule the government’s control of history, their use of distorting feelings, and cruelty towards flexibilities of expression. In an enjoyable dream, none of these problems exist. There is no totalitarian government managing their public through controling history. There is no predisposition propaganda affecting decisions or governments making society weak. There are certainly no penalties or extreme steps taken to rid their society of individual idea or expressions.
Federal governments in the past have exemplified these problems. When it comes to the Armenian genocide, Turkey officials have denied that these atrocities (done to the Armenians) ever took place. This is an example of control of history. They have prohibited all topics of this from their academics, and do not teach it to kids. This is done so people can remain loyal and feel patriotic towards them instead of hatred and anger. This also ties into the concept of distorted emotions (of patriotism) and blind approval, by tempering with their feelings.
The Armenian genocide can likewise be an example of oppression towards a specific group. In this case the target was Armenian Christians living under the Ottoman Empire. Towns were looted, intellectuals were detained and killed, and numerous others were taken on death marches, and later on killed. There are also numerous other historical and modern issues of principles and issues present in 1984 and V for Vendetta. However since of experiences and the recognition of these satires in society, actions can be required to create awareness and avoid further similar scenarios.