Romeo and Juliet – Zeffirelli and Luhrmann Film Comparisons

Romeo and Juliet– Zeffirelli and Luhrmann Film Comparisons

Romeo and Juliet– Zeffirelli and Luhrmann The 2 main movie interpretations of Shakespeare’s “Romeo and Juliet” are Zeffirelli’s, made in 1968, and Luhrmann’s, made in 1997. Although they utilize the exact same original script written by Shakespeare, these 2 films are really various. Zeffirelli’s is set in the 16th century, at the time when the screenplay would have initially been written whereas Luhrmann has set his movie in contemporary time however still using the Shakespearian language. The most popular and popular scene of “Romeo and Juliet” is the balcony scene where Romeo and Juliet first state their love for each other.

Luhrmann’s variation of the terrace scene is started with a shrill crash as Romeo gets in the Capulet’s home and knocks a post to the ground. This acquires the audiences attention immediately for the scene. Romeo’s movements are awkward and speech is fast-paced and scratchy. Romeo gets away outside and awkwardly tries to climb up a vine listed below Juliet’s window. The camera turns out often to show the view of their entire Capulet estate, this shows the importance of where they are as it’s a prohibited location for Romeo to be. Romeo’s inept actions put a quick humorous twist into this classic catastrophe.

From Juliet’s window, a small figurine of the Virgin Mary can be seen for a short time through the drapes. This has a strong symbolic significance, revealing the contrast in between Romeo and Juliets sexual intentions and a sense of pureness and faith. It could also be a symbol of warning meant for Romeo and Juliet. When Juliet is first seen in the Lurhmann version, she is the complete reverse of Romeo. Juliet is wearing a streaming white dress, representing her innocence and lack of experience; she delicately exits an elevator and begins to speak her lines with complete use of facial expressions, acting confused and stressing the unimportance of names.

Romeo jumps out suddenly and the tranquility of Juliet examining her swimming pool is broken by her surprised high-pitched scream. The 2 fall together into the pool with the exact same stunning affect utilized at the opening of the balcony scene, grabbing the attention of the audience. The abrupt movements are quickly slowed as Romeo and Juliet begin to talk. Their words are rushed and there is an apparent need for secrecy which is worried by the security electronic cameras and guards surrounding the area. Their kisses are romantic and caring but not doing not have passion.

Juliet is all of a sudden struck with worry of being caught with Romeo and with another unexpected motion, she leaves the swimming pool. The scene ends romantically and with both Romeo and Juliet sensation happy. Throughout the film, Romeo and Juliet are both on the very same level, revealing that their characters are equal at this time. The romantic feel is continuously interrupted by sudden motions or sounds to keep the audiences concentration, making the movie intriguing to see. Zeffirelli starts the balcony scene with Romeo gazing longingly at Juliet who is on her balcony dreamily looking throughout her garden.

Romeo’s lines are whispered, romantic and spoken really gradually and softly. The scene is shot through the leaves to show the mystery and risk of Romeos existing. The brilliant light silhouettes Juliets figure like an angel. Juliets dress is low cut and quite revealing making her seem fully grown and sexy, which is extremely various to Luhrmann’s analysis of Juliet as his is extremely innocent. When Juliet first sees Romeo, her actions end up being quick, hurried and unexpected. Juliet spends the entire When Romeo and Juliet share a kiss it is sexually motivated and very enthusiastic. Romeos movements end up being excited and fast as he swings from trees.

The relationship between Romeo and Juliet is extremely passionate and lustful instead of how the relationship was represented in Lurhmann. When Juliet decides it’s time for Romeo to leave, the speed of the movie slows as soon as again. The voices end up being romantic rather of sexual. As Romeo and Juliet part, the cam works out to show their hands drifting further apart from each other in a slow sluggish movement revealing the separation and isolation of Romeo and Juliets character. Zeffirelli’s film was extremely major, worrying on infatuation where as Lurhmanns film was light-hearted and revealed genuine love in between Romeo and Juliet.

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