Othello presents females as the victims of men
!.?.!? To what level do you agree that in “Othello” Shakespeare provides ladies as the terrible victims of guys? Throughout ‘Othello’, Shakespeare utilizes the manipulation of the protagonist, by the villain, Iago, to provide a play controlled by men. In such a male controlled society, Shakespeare presents the women in the play as terrible victims at the hands of their husbands, in particular Desdemona and Emilia. Throughout this essay I will associate with the Aristotelian and Senecan descriptions of disaster to come to a conclusion of how in ‘Othello’ Shakespeare provides females as awful victims of men.
To start with, throughout ‘Othello’ Shakespeare presents guys as the dominant characters of the play, whereas the ladies are portrayed as characters to constantly be suspicious of. No female character is given as many lines in the play as any male character, in particular Iago. This is reflective of Iago’s dominance in ‘Othello’, therefore satisfying among the Senecan meanings of catastrophe presenting females as tragic victims of males. Furthermore Othello’s suspicious nature towards his spouse, Desdemona, is incorrect, and though the females are continuously considered cheating, they never ever do.
In act 3 scene 4 of the play Desdemona claims that Othello is “true of mind”. The remarkable irony of that statement when again indicates that Desdemona is a character who follows social conventions, yet her other half’s false allegations relate to the Aristotelian meaning of disaster in the Desdemona is pitied by the audience due to her pure sensations of love towards Othello. Using the adjective “real” more shows Desdemona as a tragic victim of Othello as she is uninformed of Othello’s beliefs that she is cheating on him with Cassio, which is incorrect.
Though women might be portrayed as terrible victims in ‘Othello’, Emilia gives the audience factor to think that ladies are far from tragic victims in the play. She challenges social convention because women ought to be passive to their husbands. In defiance of Iago’s “Be smart, and get you home”, Emilia here opposes the model of a “excellent” partner, who need to be quiet and marginalised. Though Emilia is undoubtedly ultimately an awful victim of the play, she reveals how damaged a male dominated society is when she clears Desdemona’s “track record”.
Her death opposes an unethical conviction against her sex, exonerating her part in the disaster. In act four scene 3 of the play, Emilia suggests that she is equal to males, which recommends to the reader further that she is a character who as soon as again defies society’s expectations of females. Emilia criticises the way guys act, in which she asks “have we not affections/desires for sport-and frailty-as males have?” claiming that ladies’s needs are just the very same as males, although it is acceptable for men to cheat on their partners.
This is supported earlier in the play when Emilia likens men’s behaviour to that of belching, which itself is a vulgar activity. “they are all however stomachs, and all of us however food/they consume us hungerly, and when they are full/they belch us” this corrupt reality is also reflective of how men dealt with women, and that it was ok for guys to cheat on their other halves, however had actually women done the exact same, it would have been thought about a sin. On the other hand, Emilia could be analyzed as a terrible victim at the hands of guys in ‘Othello’.
Rather than Desdemona’s marital relationship to Othello, Emilia’s marital relationship to Iago has lost all signs of love and love, and her victimisation might be interpreted through her satirical mindset towards guys. Her death at the hands of Iago, her manipulator, reveals that Iago was genuinely to blame for Othello’s murder of Desdemona, as it was him whom Emilia took Desdemona’s scarf for. Her death is for that reason her punishment, moreover making Emilia an awful victim as she has actually passed away through no fault of her own.
Like Emilia, Desdemona is also an awful victim of the men in ‘Othello’. Her murder, like Emilia’s, is through no fault of her own is a result of Othello’s jealousy and Iago’s disturbance. What makes Desdemona even more awful to the audience is the reality that even in death she attempts to protect her spouse, informing Emilia that she has eliminated herself, “nobody, I myself”, this additional depicts to the audience that Desdemona is a good and pure character. Her devotion to her partner makes her a tragic victim in the play as she can not be blamed for her death.
Contextually it is essential to comprehend how women are presented as tragic victims of males in ‘Othello’. Contemporary views of females were, according to Sir Thomas Elyot “to be mild, timorous, tractable, benign, of sure remembrance, and shamefast.” On the other hand guys were seen to be “intense, strong in opinion, covetous of splendor, desirous of knowledge, appetiting by generation to bring for his semblable.” Elyot’s views of the modern guy, though much grander than those of women, might show to be their failure in ‘Othello’.
Shakespeare’s protagonist’s failure might be based on the fact that he is desirous of understanding, and Iago’s adjustment of Othello’s trustworthy nature recommends that not only are ladies the terrible victims of males, but it is males who are likewise victims of males. Making use of derogatory language and coarse sexual images is used by Shakespeare to reveal the male character’s misogynistic mindsets towards women, and this appears whenever Iago mentions the opposite sex.
His lamenting of Desdemona, a character who is pure and excellent throughout the play, particularly represents how females exist as tragic victims of men. He tells Brabantio that “a black ram is tupping your white ewe”, referencing Othello and Desdemona’s romance. The contrast of black and white suggests that Iago views Desdemona and women in basic as guilty beings, which further suggests to the audience that ladies are tragic victims of males in ‘Othello’ as it is the guys who are guilty, not the females.
Desdemona’s daddy, Brabantio, holds an extremely misogynistic view towards his daughter upon hearing of her love for Othello, when he responds to the concern “is she dead?” with “aye to me”. Iago likewise sees ladies as things- “want to your house, your daughter and your bags”, his materialistic view of females, in which relating Desdemona to material great, suggests that Iago is a misogynist as he does not hold women in high regard at all.
In conclusion, females are definitely provided by Shakespeare as awful victims in ‘Othello’, however it is not completely at the hands of the male characters. Yes, both Emilia and Desdemona pass away at the hands of their other halves, however it is through society’s expectations of females that they are murdered, as well as Iago’s evil adjustment of The Moor. Desdemona passes away through no fault of her own, this making her an awful victim at the hands of Othello, as she has not devoted any sin, and she is only killed through Iago recommending to Othello that she had actually been cheating on Cassio.
Desdemona is likewise a tragic victim as not just has she not done anything incorrect, but throughout the play she is portrayed by Shakespeare as a genuinely excellent and pure character. Emilia is a terrible victim as ultimately she dies from understanding that Desdemona’s murder was because of the actions of her spouse. Finally it was the ladies who were awful victims at the hands of a society where the guy is judge, jury and executioner, as well as controling them to please their selfish needs.