Othello and Desdemona Love
Othello and Desdemona are really in love? When 2 individuals remain in love, there is almost nothing that can break it. A relationship between 2 individuals can be tested, but in the end, their love is permanently. In the play Othello, Desdemona and Othello have a relationship that is unbreakable, they have a real and truthful love for each other throughout the whole play. Desdemona and Othello reveal their love for each other despite racial and cultural differences. In the first half of the play, they think and reassure others that their love is genuine and no one else’s opinion can impact this.
In the second half of the play, Iago’s cunning acts start to check Othello’s feelings for Desdemona. Othello ends up being enraged with jealousy, but Iago does not produce it, however just affects it. As a Senator’s child in Venice Desdemona has a strictly life, she needs to be wise and act wise. But love does not care it makes you blind. So is Desdemona blind with her love. She defies her dad for her love “However here’s my spouse, Therefore much responsibility as my mom showed To you, choosing you prior to her father, A lot I challenge that I might proclaim Due to the Moor my lord” (Act 1 Scene 3, Line 184-188).
This tells everything about her love, she loves Othello now more as her dad. Some may believe that Desdemona is simply an extremely passionate girl she does not know about love. However we see Othello the Moor the leader of Venetian army who can have every female he likes. But he doesn’t want another female because he is in love with Desdemona and he can not stay without her, he wants her everywhere with him even to Cyprus, he wishes to spent all his life with her and no take a look at other lady, so he think and reassure others that she is his really love.
As we understand every love has actually the hostile called jealousy. However being envious is also a proof of love, because if you are jealous in your partner that means you enjoy her/him. His jealousy is stemmed from his genuine love for Desdemona, for he does not understand how to deal with the news that Desdemona might no longer love him the manner in which he loves her, therefore without thinking much he eliminated her. So he made his jealousy the hostile of his love. As Iago states to him: “O, beware, my lord, of jealousy; It is the green-ey ‘d beast, which doth mock
The meat it feeds on. That cuckold resides in bliss, Who, certain of his fate, loves not his wronger: But O, what damned minutes informs he o’er Who dotes, yet doubts, suspects, yet strongly enjoys! (Act 3, scene 3, 165– 171)” What love is depends on where we are in relation to it. Protect in it, it can feel as mundane and necessary as air– you exist within it, nearly unnoticing. Deprived of it, it can feel like a fascination; all consuming, a physical pain. So Emilia asked Desdemona “O, who hath done this deed? And Desdemona with all her love that she had for Othello even if he killed her, she doesn’t want Othello to suffer and to let the fault on him so she answered: “No one– I myself. Farewell. Applaud me to my kind lord. O, goodbye! (She dies) (Act 5, Scene 2, 125-127)” Love is the driver for all terrific stories. It is the point before consummation of it that fascinates: what separates you from love, the barriers that stand in its way. It is normally at those points that like is whatever.