Of Mice and Male and Slim
Curley, in charge’ son, is an evil character in Steinbeck’s world. Even Lennie feels the sense of hazard when Curley first comes into the bunkhouse. Curley is a “thin young man with a brown face, with brown eyes and a head of tightly curled hair.” According to Candy, Curley is an amateur boxer and is always selecting battles, specifically with people who are larger than he is. Curley attempts to prove his masculinity by picking fights. Another way to prove himself is by marrying a physically attractive female.
His better half is never ever given a name, however by calling her “Curley’s partner,” Steinbeck shows she is his possession. Curley declines to let her speak to anybody on the ranch, isolating her from everybody and setting the phase for problem. He makes a huge program of keeping his hand soft to touch her, yet buys from the local whorehouse on Saturday night. While he may strut around the cattle ranch because of his position as the boss’ boy, he clearly can not please his other half and is mean to her. Curley batters any guy who attempts to speak to her; the only one he listens to and appears to respect is Slim.
Slim is described constantly in terms of self-respect and majesty. When he initially comes into the bunkhouse, he moves “with a majesty accomplished only by royalty and master artisans. He was a jerk-line skinner, the prince of the ranch, capable of driving 10, sixteen, even twenty mules with a single line to the leaders.” Slim is high, ageless, and a specialist in his task. His voice is the voice of rationalism. When Carlson suggests killing Candy’s pet dog, Sweet interest Slim as the final authority. Slim is so reputable and admired on the cattle ranch that even Curley listens to him.
When Lennie smashes Curley’s hand, Slim is the one who intercedes and tells Curley he will not have George and Lennie fired. Slim understands Curley’s worry of ridicule, and he uses that fear to assist George and Lennie. Slim likewise inspires self-confidences because he is not judgmental. When George first fulfills Slim, George informs him about Lennie’s troubles in Weed. George senses in Slim a person of intelligence and empathy who will not be imply to Lennie, make fun of him, or make the most of him. Slim is the just one on the cattle ranch who appreciates the problem of George’s position.
He comprehends the continuous oversight George must work out in watching Lennie and keeping him out of difficulty. It is Slim, in the end, who suggests that George did the best thing in killing Lennie mercifully. He describes the alternative: “An s’position they lock him up an’ strap him down and put him in a cage. That ain’t no great, George.” Slim exists at every vital point in the story: the death of Sweet’s canine, the smashing of Curley’s hand, discovering the body of Curley’s partner, at the swimming pool after George has actually shot Lennie.
In each case, there is violence or the threat of it. Each time Slim helps make the evaluation to do what is merciful or what is right. Carlson is the most arrogant of the guys, and the least sensitive to the sensations of others. Though he argues that it would be more humane to put Sweet’s old canine down, worrying that “he’s all stiff with rheumatism … he ain’t no excellent to you, Candy, an’ he ain’t no great to himself … why ‘n’ t’ you shoot him … if you was to take him out and shoot him right in the back of the head … ight there, why he ‘d never understand what hit him”, Carlson’s intentions are actually self-centered. Sweet desires the dog gone because its odor offends him; he has no sense of how Candy loves the pet dog, and how challenging it is to think of putting him down (Chapter 3). Carlson’s absence of level of sensitivity for the feelings of others are more emphasized at the end of the story, after George, understanding that Lennie is doomed, eliminates him to spare him from suffering he will never ever comprehend. George is not surprisingly troubled after shooting his pal, and Slim empathetically is sympathizing with him.
Carlson, however, enjoys the 2, and callously wonders, “Now what the hell ya expect is eatin’ them two guys?” (Chapter 6). One method you might study characterization more effectively is to color-code when you annotate the text. If you highlight the names of each of the primary characters with a different color when they appear in scenes as you read, you can later return and refer to them individually, evaluate their actions, and develop a clearer photo of what they resemble.