Notes on Of Mice and Male
1. The exposition of John Steinbeck’s Of Mice and Men starts with two migrant employees, George and Lennie, getting a task at a regional farm. This is the very first time the main protagonists are introduced and the reader is acquainted with the 2 guys’s character and character, Lennie described as arrested however unwavering, and George being the positive intellectual. Dispute becomes the hot headed child of the guys’s ranch boss, Curley, begins abusing and ridiculing Lennie for his big and dumb appearance.
Curley’s requirement to eliminate Lennie is the prompting incident of the story as it leads to all of the men’s troubles. In the increasing action, Curley provokes Lennie multiple times, and they get into a fight where Lennie squashes Curley’s hand. Lennie’s unmanageable strength is shown in the climax of the story when he accidentally breaks Curley’s better half’s neck. In the falling action, Curley and his males pursue Lennie, with the intent to eliminate, in order to punish him for eliminating Curley’s spouse. At the end, the conflict is dealt with when George, Lennie’s best friend, chooses to end his life for him instead of letting Curley do it.
2. The three main disputes discovered in Of Mice and Guys are guy versus male, male versus society, and man versus himself. Guy versus guy dispute appears throughout the story in many rotating circumstances, the most prominent being Lennie, one of the protagonists against Curley, the antagonist. This physical dispute involves Curley’s Napoleon Complex and inability to avoid a fight, and Lennie’s innocence and lack of good sense.
The 2nd most apparent conflict is Lennie and George, the main protagonists, versus society, the antagonist. The two men remain in conflict with society, due to the fact that Lennie’s psychological disability makes it difficult for them to fit in with the remainder of the ranchers. The last and most important conflict is guy versus self, as depicted by George’s internal struggle between Lennie and their friendship. Lennie’s own individual problems make George feel accountable, holding him back from coming to terms with what is really best for his good friend.
3. John Steinbeck makes use of images in his book in order to paint a brilliant image of what is going on to the reader. One factor Steinbeck produces imagery is to demonstrate how the characters truly feel and construct more to their character. George stands up for Lennie repeatedly throughout the story, most significantly when he states, “he connects to feel this red gown an’ the lady blurts a squawk, which gets Lennie all blended, and he hangs on ’cause that’s the only thing he can believe to do” (Steinbeck 41).
The reader can envision in the girl’s red gown in Lennie’s hands, while George frantically goes to stop him. This type of images provides a clear picture of Lennie’s battle with communicating with others and how George is constantly there to defend his actions. Another way Steinbeck uses imagery is by creating a set tone or mood to support the scene, such as the exposition of the story where he paints the setting, “there is a path through the willows and among the sycamores beaten hard by tramps who came wearily below the highway at night to jungle up near water” (Steinbeck 1-2). By explaining the willows and how beaten the course is, his images is incredibly visual and descriptive, providing the unique an overall tone of reasonable and truthful appeal in nature.
4. The main tones discovered in John Steinbeck’s, Of Mice and Guys are supportive, tragic, and practical. As shown early on, Steinbeck feels sympathy toward his 2 lead characters, however insufficient in order to give them a pleased ending. Steinbeck rather provide his characters the opposite, severe reality so he could divulge that their American Dream was just nothing however a hopeless fantasy. Lennie speak to George about having their own farm, saying, “‘I remember about the rabbits, George,'” while George, on the other hand, begins to see the absurdity of their dream, responding “‘the hell with the rabbits.
That’s all you can ever remember is them bunnies” (Steinbeck 14) Steinbeck’s tone can likewise be viewed as terrible due to Lennie being not able to escape his persecutors without adding more fuel to their flame. George and Lennie are continuously the victim in their surroundings; letting people like Curley destroy their hopes and dreams. This tends to distress George considering that he doesn’t want to let himself think that their ambitions are blindly misinformed, he states, “‘I got you! You can’t keep a task and lose me ever’ task I get. Jus’ keep me shovin’ all over the country all the time” (Steinbeck 24). The characters realize at one point or another that dreams, goals, and strategies are all developed to give them false hope, making the reader feel compassion for them.
5. The 2 dominant signs found in Of Mice and Males are rabbit and mice, and how they are both illustrated as a representation of desperate dreams and incorrect hope. Rabbits are first raised in the story when George is telling Lennie what they would have on their dream farm in order to help Lennie go to sleep, “‘tell about what we’re gon na have in the garden and about the rabbits in the cages and about the rain in the winter and the stove'” (Steinbeck 1). While George sees the farm as his ticket to freedom, all Lennie ever wanted was the ability to family pet the soft animals on the farm– which in such a way is his own personal kind of freedom and joy. Nevertheless, the reader knows that Lennie is susceptible to injure anything that he “animals” and the rabbits will be in risk if he goes near them.
They represent the unreasonable ambitions the 2 males have and how none of their dreams are anything more than dreams. Comparable to rabbits, mice play the role of providing incorrect hope to Lennie and highlight his vicious and unfortunate fate. The very first mouse in the story is a dead one that Lennie encounters on the road, where he cares little about the death, however more about the convenience of the rodent. Mice, like lots of other soft things, give Lennie the sensation of a comfy and safe space. Sadly, like the mice, both struggle with the characteristics that make them susceptible: mice being too physical small, while Lennie’s mental disorder causes his misfortunes.
6. John Steinbeck’s composing style found in Of Mice and Guy is parallel to his thoughtful characters, detailed tone, and the simple yet engaging plot. In the very first sentence of the story, “A couple of miles south of Soledad, the Salinas River drops in close to the hillside back and runs deep and green” (Steinbeck 1). Automatically setting the tone, Steinbeck is simple about the setting that surrounds the males with detailed language, not sugar finish any of the imagery.
Much like his book, he produced an honest, yet credible tone that is extremely easy in nature, however fascinating all the very same. The story’s plot is no various, revealing that even though the scenarios are not the most classy; the plot is interesting enough to overcome its simpleness. Lennie explains to a few of the ranchers his dream to buy farmland saying, “‘I seen hundreds of males visited on the road a’ on the ranchesevery damn among ’em s’ got a little piece of land in his headJust like heavenNobody never gets to heaven, and nobody gets no land'” (Steinbeck 35).
This minute, like many others in the novel, develops a lot of information and details in a succinct manner, contributing to the plot’s fluidity. The chase for the American Dream is specifically obvious, revealing that everyone during this time is looking for liberty and happiness. Steinbeck also creates relatable characters that are extremely thoughtful and genuine, most particularly the protagonists, George and Lennie.
Although neither of them honestly shows it, George and Lennie’s close relationship and connection is what brings the book. Throughout his character advancement, George exposes to the other ranchers that he stays at Lennie’s side since “you get utilized to goin’ around with a man an’ you can’t eliminate him” (Steinbeck 58). However what he is truly attempting to say is that the bond and relationship between them is the only thing either of them needs to hang on to. Steinbeck’s composing design puts significance on every discussion, circumstance, and background info in the story. Every character is substantial and brings a new perspective to the plot.
7. Among the significant themes in Of Mice and Guy is the value of friendship and compassion. George and Lennie do not require to remind each other of their relationship every minute, however both know that their relationship is more vital than anything else in their lives. They set an example for how we need to deal with others the way we wish to be treated, even if that isn’t constantly the case. Their relationship and close bond carries throughout the story to teach the reader the important life lesson that friendship comes a long method and how you ought to hold onto the relationships that actually matter.
Another major theme in Steinbeck’s novel is the impossibility of the American Dream, as depicted by the hopes and plans George and Lennie had for their future. The 2 males dreamed of owning a farm together, just to have their plans squashed and end in disastrous failure. Along with George and Lennie, many other small characters in the story also had hopes of a much better future on their own, despite their dreams only being nothing more than dreams. Here, Steinbeck addresses the philosophical question that true untainted joy is a luxury that a lot of will never discover, due to the terrible nature and truth of our world.
8. The title of John Steinbeck’s unique, Of Mice and Male originates from the 18th century poem by Robert Burns, where a mouse carefully builds its winter house, only for it to be demolished by a ploughman. The line containing the title states, “the best-laid schemes o’ mice an’ males gang aft agley,” explains how mice and men both pass away, however only the guys will know it (Burns).
Steinbeck selected this specific title, due to the fact that it sums up the novel in its entirety, where Lennie is the mouse and George is the ploughman. Fate deals its hand in both of the guys’s lives, and their goals for the future are shattered at the end of the story when George has no option but to kill Lennie prior to Curley can get to him. Nevertheless, like the guys in Burns’ poem, George will be entrusted to the memory of eliminating his buddy and the past that led up to it, whereas Lennie can pass away with his innocence and complimentary conscience.