Lord of the Flies Violence
How does Golding utilize violence in the unique ‘Lord of the Flies’? In the unique ‘Lord of the Flies’, Golding uses the theme of violence surfacing throughout the text. One reason for this was, Golding thought that every individual has the potential for evil which the flawed human nature is seen in ‘humanity’s essential sickness’. His belief in this gotten here through his time spent in war, so his goal was to challenge Ballantyne’s novel ‘Coral Island’, and in which Golding’s book the fact would be revealed about his own ideas of the darkness of humanity.
As the theme of violence is in the heart of the novel, another reason of this is because of the fast breakdown of civilisation on the island. Through the breakdown, a perfect scenario of violence and basically evil people is set and violence is flourished through conflicts manifesting. The island starts to as a paradise for the kids, ‘the glittering water’ explores the island as being a paradise and an apparent location of appeal. However dark traits of the island start to end up being prominent which begins to open Golding’s theme of violence; the aircraft crash on the island is referred to as a ‘scar’.
This indicates that before this mark had actually been left, the island was perfect and untouched whereas now the arrival of the outdoors world has actually immediately ruined its beauty. Making use of the word ‘scar’ might also recommend the state in which the plane has actually arrived from; as the war was continuous using the powerful word shows the destroy in which the world back house remained in. Furthermore, this immediately reveals the function of the boys arrival on the island, the war has led them to be evacuated so although the scaries of the island are yet to come, the irony of the barbaric actions back house is introduced.
Another example of the darkness on the island which is already seen is the description of the ‘skull-like coconuts’. In this, Golding compares something frequently related to a tropical island, being the ‘coconuts’, to in contrast be described as ‘skull-like’ which is related to death. Golding utilizes this to foreshadow the death and damage on the island which is to follow. Similarly the heat is used to depict how the basic charm of the island can be disturbed and quickly turned into a dystopia. ‘The heat hit them’ indicates that the typical attraction of the sun is turned into something unfavorable.
Using the word ‘hit’ suggests a violent act, and could likewise infer that the island is already versus them as these aggressive images are revealed. When the character of Jack is first introduced into the novel, along with his choir boys, they are described as the ‘black bat-like creature’; the use of dark animal imagery foreshadows the capacity of humanity’s evil nature coming into play in the future. Golding uses the word ‘creature’ to imply that we are not yet aware of Jack’s conceivable ruin of the island as ‘creature’ is normally connected to the unknown.
As the choir kids and Jack are nearly seen as being one individual through this quote, ‘black bat-like creature’, the anticipation that these kids will stick together is made. Jack’s description of his physical appearance is continued, ‘his hair red below his black cap’. As the colour red is generally associated with anger and danger, it portrays Jack’s fiery and possibly brief mood, and him quickly resorting to violence. Within the very first number of chapters of the novel, Golding represents the requirements for civilisation and worth which the kids highly desire, recommending their early innocence on the island.
The boys want to try and replicate the guidelines and society of their home life; this is ironic as their life back home remained in turmoil, following Golding’s idea of ‘humanity’s necessary sickness’. When the conch is presented onto the island, a lot of the young boys take this concept of order very seriously. For instance, Piggy ‘cradles’ the conch representing that the shell is of high value and severe worth, due to the fact that its significance is to represent authority on the island. The conch is then referred to as ‘shining’ which implies that the shell is associated with brightness which again reveals the fantastic importance of the shell.
The first act of destruction on the island follows the concept of the illness and fallen human nature, is the pushing of the boulder. After three of the kids have noticed the boulder, they decide to ‘accept the obstacle’, which they succeed in doing so. The truth that they didn’t require to remove the boulder from the mountain portrays the reality that the smallest things that the kids observe in their way have to be somehow damaged. This displays the temptation in which the island is leading them to, as if they are obsessed by the thought of destruction in these early stages.
The pressing of the rock symbolises the naturally devastating impulses that loses the innocence inside the children who are instant to disturb the consistency of the island, following Golding’s theories. The islands reaction to the rock is through the forest shaking ‘with the passage of an enraged monster’. Golding utilizes the word ‘beast’ to describe this, to indicate that the boys have let out a metaphorical monster onto the island which represents the wicked inside of the boys beginning to become exposed and their wicked nature beginning.
Additionally, this portrays the fight between the diseased mankind and the natural world beginning to corrupt the island. However, in contrast to this when Jack stumbles upon a pig, evidentially to kill as he designated himself the function of hunter, Jack is not able to murder the animal. Golding describes Jack’s ideas as, ‘the enormity of the knife descending and cutting into living flesh due to the fact that of the excruciating blood’. This manifestly implies that Jack couldn’t bring himself to do such a violent act of savagery which highlights his still boy-like qualities.
This act recommends that he is still under the influence of his own civilised society, and his actions are shown through this. Golding’s usage of the word ‘enormity’ depicts the greatness of result the murder of the pig would have had, as to the young kids it is such an outrageous act of savagery. Jack then begin to realise his shame in being not able to eliminate animal, so he says “next time-‘, indicating that the next opportunity he has, he will have the ability to kill so that he does not appear weak to the others.
Furthermore, this quote ends abruptly to suggest that he is lost in his path of thoughts considering the violence he can cause. The breakdown and order and the ‘health problem’ emerging is revealed after the kill of the first pig. After Jack and his hunters have actually prospered in their first kill, they return and describe what they have actually done ‘proudly, and yet twitched as he said it’. The word ‘jerked’ exposes the old Jack and the other hunters, when they were civilised, as this word shows that they fidgeted when discussing what they had done.
To follow this, after Jack had actually noticed the blood on his hands, he ‘grimaced distastefully’, suggesting that he isn’t enjoying the after view of the murder, practically as though he is looking at his hands in displeasure. Nevertheless, after this hunters then start to boast about the quantity of blood, while ‘laughing and trembling’ indicating that they are moving away from their old methods of civilisation, given that making fun of eliminating a pig is certainly an act of savagery. On the other hand, the word ‘trembling’ depicts that the boys are shying away from the scary of killing the pig because it is the wrong thing to do.
Making use of an oxymoron in this suggests that they are all moving far from right and incorrect as two opposing thoughts are crossing the hunters minds. Golding represents how the boys have actually enjoyed their violent act by describing the pig’s life being drained pipes as ‘a long gratifying beverage’. Golding’s purpose was to show that the boys now feel power from the kill and that their yearning thirst and desire for blood has actually now been quenched. Golding uses the killing of the sow with references to figurative rape imagery to represent that they have actually lost the ability to compare what is ethically best and what is wicked.
The intentional usage of sexual imagery also implies that all of their innocence is lost as it is such a huge act of evil, for that reason all ties with the guidelines of society have been lost. The killing of the plant ends up being more abusive as time hands down, and the boys start to become obsessed with it, as ‘wedded to her in her lust’, demonstrating how satisfied the boys are becoming during this act of violence. Using the word ‘wedded’ depicts how there is no reversing considering that they are tied to the kill of the plant through their desire to cause disruption on the island.
Golding uses this act to stress his main style of the unique as it is such a monstrous act dedicated by young boys to show that anybody is capable of intensifying to evil. In addition, the sow is originally describes with her family, ‘her stubborn belly was fringed with a row of piglets’, this could also represent that the mom pig represents the innocent families being eliminated back home. This is ironic as the kids are desperate to return house, however both locations are now exactly the very same due to the lack of civilisation.
While the savage act is occurring, Simon’s presence causes the ‘the butterflies to dance’ as the ‘sow collapsed’. This reveals the contrast of Simon causing the butterflies and peace nature to occur, whereas the other kids cause the collapse of the pig, depicting the distinction in between Simon’s tranquillity and the boys’ harsh violence. This also indicates that the tranquil environment was destroyed through the killing of the plant and the consistency on the island has been destroyed. The dance throughout the novel becomes more and more violent as the text advances, which once again shows the illness beginning to surface.
As the dances happened to re-enact the killings of the pig, the concept of using a littleun was presented into the dances which end up being more regular. This represents that the ‘dances’, to phony kill, have practically become an activity of leisure, which gives the ramification that their desire to kill will not be fully satisfied up until a human is killed. The death of Simon started through the idea of a ‘dance’. Golding utilizes the weather and the method of useless fallacy throughout the chapter to show the build up of stress on the island, the tension is then launched after the murder is ended up.
Also, making uses of the weather condition’s violence could indicate the nature of the island penalizing them for their abuse on the island. Considering the weather starts to become out of control, this shows the boys’ violent behaviour beginning to intensify. To start the tension rise, ‘a build up of clouds continued’, suggesting that the ‘develop’ represents the young boys’ evil and savagery beginning to grow. Before the murder, the kids are referred to as ‘berserk’ which suggests that they are all crazed in severe spirits so what they are about to do is out of control, therefore letting their savage methods rule them.
To follow this, ‘hemmed in the horror’ again recommends that they are unable to stop as they are trapped inside the chant. Continuing with the song and dance Golding explains it as ‘the throb and stamp of a single organism’. Making use of the word ‘throb’ indicates that they are inflicting discomfort which begins as dull and starts to increase as the murder ends up being more violent. Golding uses ‘single organism’ to depict that the boys dancing together have actually turned into one and they are now unidentifiable as people.
They are all united as one due to the fact that they all share the exact same savage traits and the beat of the dance is beginning to manage them. Golding then goes on to explain the sky as ‘shattered’, this word suggests the breaking down of worths and their understanding of civilisation. Likewise, the use of the strategy onomatopoeia and the outcome of a harsh noise is used to enhance the meaning of the breaking down society. Golding then goes on to utilize hell imagery; for instance ‘the sulphurous surge’, utilizes referral to the sulphur pits in hell to depict that what is happening is a hell-like xperience. In addition, as the environment exists as being like hell the young boys are portrayed as the devils in which are permanently tortured by ‘mankinds health problem’. Another form of images Golding utilizes is animal; ‘screamed, struck, bit, tore’ showing complete regression as they are represented as animals because Golding’s description imitates how predators would kill. In addition, ‘no movements however the tearing of teeth and claws’ presents Simon as animal like, which is viewed as the ‘beast’; putting the reader in the position of the kids as they think they are eliminating the monster.
Following this, as the murder is occurring, Simon is described with lots of names such as ‘a thing’ and ‘it’ which totally dehumanises Simon, triggering confusion in between the boys. Simon is then named which represents the young boys’ realisation about what is going on and who they are killing, nevertheless they still continue. The impact of the young boys still continuing depicts that they are now without conscience because the power of the chant has actually overruled them. After Simon’s death, Golding utilizes the sky and water to communicate a sense of innocence, ‘the clear water mirrored the clear sky’ which depicts the sky ‘opening’ up.
With this idea, it shows that the opening of the sky is opening the young boys’ minds to reason and understanding of what they have actually done. Golding then goes on to utilize the concept of a funeral service to portray an essence of appeal and show the importance of Simon. ‘Sculptured marble’ and ‘silvered cheek’ provide images of a funeral to reveal that due to the fact that of Simon’s goodness, nature removes his body in this method, practically as though the island is reclaiming him. To contribute to Simon’s significance, the use of valuable images, such as ‘pearls’ and ‘silver, indicates how important Simon was to humanity, so for that reason his death ends in harmony and with respect.
Simon is then portrayed as a Christ like figure, ‘the body raised’, as he was preparing to ‘get the word out’ and he passed away thinking what was right. The use of the word ‘body’ is unidentified to reveal that the soul has been ‘lifted’ and only the body left. The boys’ reaction to the killing is shown in, ‘figures staggered away’. The word ‘figures’ is utilized so Golding does not clearly mention who was included and they are no longer individuals as it was the whole of the society which murdered Simon.
Furthermore, using the word ‘staggered’ represents as though they are in a daze about what they have actually done and they withdrew themselves with realisation of their actions. To conclude, through Golding’s ways in portraying the intensifying violence on the island, we have discovered the breakdown of civilisation and the vital illness which is within mankind. The young boys on the island progress from civilised children yearning for rescue, to violent hunters who have no desire for authority.
They naturally lose their sense of innocence, ‘they wept for the end of innocence’, through the inherited evil and savagery that has actually existed within them. This portrays the rescue was not a minute of certain delight, for Ralph realises that even though he was conserved from his forthcoming death, he will no longer be the same; Ralph has now comprehended the evil that hides within all human beings. Golding’s function of Ralph’s despair was to represent the existence of evil impulses concealed within mankind, even when authority exists. This shows that civilisation can temporally stop wicked, however violence always has to enter into play within humanity.