Cry, the Beloved Nation
Literary Aspects by Paton In the last chapter of the unique Cry, The Precious Country the author Alan Paton uses symbols, repetition, and tone reveals disparity and hope in the primary character, Kumalo in order to describe how the black males of south Africa must have the ability to adjust to their situations, or they may not make it out with their sanity. Throughout the passage in chapter 36, Paton typically utilized tone to portray the phases of emotions Kumalo experienced while considering his kid’s fate. Kumalo concerns himself” Would [Absolam] be awake, would he be able to sleep, this night prior to the early morning?
He sobbed out, My son” (310 ). In this sentence, Kumalo marvels how his son will face his death the next morning and feels the very same discomfort Absolam does. The anguish and issue Kumalo felt programs his method of managing the awful fate to satisfy his son the following morning. Kumalo not only frets about how his child is dealing with his inescapable death, however weeps out in desperation as if Absolam will be able to hear him and be comforted. In addition, in the final moments of the book, Kumalo looks “at the faint constant lightening in the east” (312 ). Kumalo is no longer scared of his kid’s future, accepts it and is at peace.
His son’s execution placed Kumalo in a dark location where he was not familiar with, but at when dawn came and the sun rose the important things he feared was lastly here and he accepted it so he might move on and his son might rest in peace. The tone in this sentence had a tone of hopefulness, rather than the tone of the remainder of the passage that had a tone of despair and sorrow since the recommendation to the sun showed optimism and feelings of not wishing to stay in the past. Nevertheless, Paton uses the tone shift in this passage to reveal Kumalo’s acceptance and adaption to truth and the things he could not change.
Paton frequently utilized repeated words connecting to the darkness, light, and about the sun rising and setting. These words all explained how each town had to accept their scenario before they might genuinely be at peace with themselves and the lives they live. For example, “The fantastic valley of Umzimkulu is still in darkness, however the light will come there.” (312 ). In a literal interpretation, this simply describes how the sun slowly rises and shines on all the towns, however in the context of this passage, Paton depicts the darkness and the negativity some people of South Africa are stuck in.
And as the sunshine shines over them, they will become invigorated and recognize the beauty in living another day despite the conditions they live in. In addition, Kumalo thought to himself that “The sun would rise not long after 5, and it was then it was done” (310 ). The sign of the sun rising represents completion of the darkness of the night and after that end of Kumalo’s dark thoughts throughout the night. Not just does it imply the end of Kumalo’s suffering, it implies that the sun increase will end his son’s life by execution.
It is likewise a metaphor for renewal throughout, the minute he feared most is over and made with and he can now rest simple. Moreover, Paton’s usage of tone in this passage likewise highlights how Kumalo persisted through his darkest times and he became able to pull through and hope his kid the best, or the ability to adjust to any circumstance. Paton highlights supreme hope and renewal at the end of the passage with the usage of symbols of the sun and the titihoya bird. For instance, Kumalo professes that” when that dawn will come, of our emancipation, from the fear of chains and the bondage of worry, why, that is a trick. (312 ). The dawn for Kumalo shows his kid is freed from his life of sin and can now peacefully take a trip to the next world without concern. Not only is Absolam freed, Kumalo is complimentary himself from the fear of his boy further sinning and for his well being, as he remains in God’s hands now. In addition, Kumalo says” Yes, it is the dawn that has come. The titihoya wakes from sleep, and sets about his work of forlorn crying.” (311 ). The bird the sun are intertwined, as the bird only wakes with the sun, and Kumalo and Absolam’s fate are forever connected no matter how far they are from each other.
Despite the sorrow Kumalo experiences, his use of light and birds shows his acceptance of the future for himself and completion of his boy’s. Kumalo’s adaptation to a terrible event in his life shows his ability to be positive and not live in the past. Overall, Kumalo went through a series of feelings and feelings that at the time appeared difficult to manage. And with Paton’s usage of tone, signs, and repetition, he showed Kumalo was significantly in tune with nature and his spiritual self. His adaption to truth tailored himself to tranquility when he let destiny lead the way.