Literary Aspects by Paton In the last chapter of the unique Cry, The Precious Nation the author Alan Paton utilizes signs, repeating, and tone reveals disparity and hope in the primary character, Kumalo in order to explain how the black males of south Africa must be able to adjust to their scenarios, or they may not make it out with their peace of mind. Throughout the passage in chapter 36, Paton typically used tone to depict the phases of emotions Kumalo experienced while thinking of his kid’s fate. Kumalo concerns himself” Would [Absolam] be awake, would he be able to sleep, this night before the early morning?
He sobbed out, My boy” (310 ).
In this sentence, Kumalo wonders how his kid will face his death the next early morning and feels the very same pain Absolam does. The suffering and concern Kumalo felt shows his way of coping with the terrible fate to satisfy his son the following early morning. Kumalo not just worries about how his son is handling his inescapable death, but weeps out in desperation as if Absolam will have the ability to hear him and be comforted. In addition, in the last minutes of the book, Kumalo looks “at the faint stable lightening in the east” (312 ). Kumalo is no longer scared of his child’s future, accepts it and is at peace.
His son’s execution positioned Kumalo in a dark location where he was not knowledgeable about, but at when dawn came and the sun rose the important things he feared was lastly here and he accepted it so he might proceed and his kid might rest in peace. The tone in this sentence had a tone of hopefulness, rather than the tone of the remainder of the passage that had a tone of anguish and grief because the referral to the sun showed optimism and sensations of not wishing to dwell in the past. However, Paton uses the tone shift in this passage to reveal Kumalo’s acceptance and adaption to reality and the things he could not change.
Paton often utilized repeated words relating to the darkness, light, and about the sun increasing and setting. These words all described how each town had to accept their circumstance before they might truly be at peace with themselves and the lives they live. For instance, “The excellent valley of Umzimkulu is still in darkness, but the light will come there.” (312 ). In an actual interpretation, this merely describes how the sun slowly rises and shines on all the towns, but in the context of this passage, Paton illustrates the darkness and the negativeness some individuals of South Africa are stuck in.
And as the sunshine shines over them, they will end up being invigorated and understand the beauty in living another day in spite of the conditions they live in. In addition, Kumalo thought to himself that “The sun would increase not long after five, and it was then it was done” (310 ). The indication of the sun increasing represents the end of the darkness of the night and after that end of Kumalo’s dark ideas throughout the night. Not only does it indicate completion of Kumalo’s suffering, it indicates that the sun increase will end his boy’s life by execution.
It is also a metaphor for renewal throughout, the minute he feared most is over and made with and he can now rest simple. Furthermore, Paton’s use of tone in this passage also highlights how Kumalo continued through his darkest times and he became able to pull through and hope his son the very best, or the capability to acclimate to any circumstance. Paton highlights ultimate hope and renewal at the end of the passage with the usage of signs of the sun and the titihoya bird. For instance, Kumalo professes that” when that dawn will come, of our emancipation, from the fear of chains and the chains of fear, why, that is a trick. (312 ). The dawn for Kumalo shows his son is devoid of his life of sin and can now in harmony travel to the next world without concern. Not only is Absolam released, Kumalo is totally free himself from the worry of his child even more sinning and for his well being, as he remains in God’s hands now. In addition, Kumalo states” Yes, it is the dawn that has come. The titihoya wakes from sleep, and tackles his work of forlorn weeping.” (311 ). The bird the sun are intertwined, as the bird only wakes with the sun, and Kumalo and Absolam’s fate are forever connected no matter how far away they are from each other.
In spite of the grief Kumalo experiences, his use of light and birds displays his acceptance of the future for himself and the end of his child’s. Kumalo’s adaptation to a dreadful event in his life displays his capability to be optimistic and not live in the past. Overall, Kumalo went through a series of feelings and feelings that at the time appeared difficult to handle. And with Paton’s usage of tone, symbols, and repeating, he showed Kumalo was greatly in tune with nature and his spiritual self. His adaption to reality geared himself to peacefulness when he let fate blaze a trail.