Analysis of the Yellow Wallpaper

Analysis of the Yellow Wallpaper

May 7, 2013 Analysis Paper ENG 104 The Yellow Wallpaper Analysis of The Yellow Wallpaper

According to Thomas “The Yellow Wallpaper” a narrative by Charlotte Perkins Gilman was primarily about “Eastlake’s popular Gothic Revival decors in turn created a following demand for wallpaper designed by William Morris (1834-96)” (Thomas) He concurred that, “not just authentically marks Morris’s Trendy slid olive, monochromatic yellow and Khaki Craftsman designs, but likewise faces wallpaper on other substantial level (1 )as potential mental health danger for women and children in limited environment’s,( 2) inscribing gender in domestic spaces,( 3) as evidence of the male take over and sequential androgynization of the ornamental arts market, and aesthetic improvement that upset the female customer’s marketplace and domestic empowerment.” (Thomas) While, numerous might concur with his statements there are always those who do not concur.

Some might concur that “The Yellow Wallpaper” is primarily about a lady in the late 1800’s slipping into madness. Gilman narrative demonstrated her characters mental disorder in two various methods: (1) allowing her audience into the fear of the character’s psychosis (2) letting her audience experience the characters limitations and providing the value of the characters individualism. Gilman allows her audience into the characters fears and mental illness. Most of the story is centered on the women’s obsession with the yellow wallpaper in her assigned room. The female’s description of the wallpaper appear to demonstrate how she portraits herself and her illness.

For Example she explains the wallpaper as being “… dull enough to puzzle the eye in following, pronounced enough to constantly aggravate and provoke study, and when you follow the lame unsure curves for a little range they all of a sudden commit-plunge off at outrageous angles, damage themselves in unprecedented contradictions. “(Gilman) In this passage from the short story enables the reader to analyze what the author is attempting to state. Some might concur that it even explains the start of the lady’s disease. Describing that her health problem has made her life as dull, has provoked study that her other half does not approve of, and quickly enough she knows that she will reach her limit. This females is not ridiculous due to the fact that of the wallpaper. The lady currently has a mental disorder that makes her a nervous individual to start with.

So the declaration from Thomas of “not just authentically marks Morris’s Stylish glided olive, monochromatic yellow and Khaki Artisan designs, however also faces wallpaper on other considerable level (1 )as prospective mental health hazard for females and kids in restricted environment’s” this statement is not totally real to some people. A lady can not become insane; when she is currently. Another, well achieved job of Gilman is when she expresses the importance of individualism. Gilman develops this by leaving hints in the body of her work. Such hints include” If a doctor of high standing, and one’s own hubby, ensures friends and loved ones that there is really absolutely nothing a matter with one however temporary nervous depression-slightly hysterical tendency-what is one to do?” This quote highlights the constraint in her life.

No contact with family or friends. Even, the female knows that she has no control over her other half or herself. The audience can comprehend that this ladies composes with sarcasm and reveals she reveals her real sensations only in her journal entries. For instance, “So I take phosphates or phosphides- whichever it is, and tonics, and journeys, and air, and workout, and an absolutely forbidden to “work” until I am well again. Personally, I disagree with their concepts. “(Gilman)Another is “John states that the worst thing I can do is to think about my condition, and I admit it always makes me feel bad.” These 2 quotes describe the female’s true feelings that she need to keep inside her.

Knowing that if she disagrees with anything she will be angering her other half’s professional suggestions. Back in the time duration that this narrative was composed ladies were owned by the men and where to do as they were told without more discussion. Thomas second declaration about engraving gender in domestic areas is not entirely true. When one takes a look at the tips left by the Gilman in her short story is enough evidence to show that her real message was to reveal the audience the importance to individualism. When a author writes a story its like a home with a million windows and each reader might search in through a different window. This will lead to different analysis of the story.

Although, everyone is right someone will always have a more powerful arrangement which person typically draws more individuals to their window. In the narrative “The Yellow Wallpaper” Thomas had a different and special concept about the wallpaper. He argued that “… challenges wallpaper on other significant level (1 )as potential psychological health danger for females and children in restricted environment’s,( 2) engraving gender in domestic areas,( 3) as evidence of the male take control of and sequential androgynization of the decorative arts market, and visual change that upset the female customer’s marketplace and domestic empowerment. “(Thomas) Although your house is full of many different windows looking in. Lots of others have checked out different ones.

For example: others believe this narrative had to do with Gilman demonstrated her characters mental illness in two various methods: (1) enabling her audience into the worry of the character’s psychosis (2) letting her audience experience the characters restrictions and presenting the importance of the characters individualism. Mentioned Sources * Charters, Anne. The Story and Its Author Compact: An Introduction to Short Fiction. Compact. Boston: Bedford/st Martins, 2011. Print * Thomas, Heather Kirk. “‘ Kind of Debased Romanesque with Delirium Tremens’: Late-Victorian Wall Coverings and Charlotte Perkins Gilman’s ‘The Yellow Wallpaper. ‘.” The Mixed Legacy of Charlotte Perkins Gilman. Ed. Catherine J. Golden and Joanna Schneider Zangrando. Newark: University of Delaware Press, 2000. 189-206. Rpt. in other words Story Criticism. Ed. Janet Witalec. Vol. 62. Detroit: Windstorm, 2003. Literature Resource Center. Web. 7 May 2013

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