An Aristotelian Analysis of Othello
Aristotelian Interpretation There are several interpretations of Othello varying on the morals and values of its author. One analysis of Othello is an “Aristotelian interpretation”. This analysis stresses the ideology that it is through Othello’s character defects, or “hamartia”, integrated with Iago, the antagonist’s manipulation that result in his ultimate descent into insanity and mayhem. FLAWS OF THE LEAD CHARACTER FEE TO HUBURIS, OR EXCESSIVE PRIDE
The Aristotelian analysis argues that throughout Othello, it appears from textual evidence that huburis, Othello’s intrinsic character flaw of excessive pride, it to a degree accountable for Othello’s failure. This is shows by the Othello’s statement, “I swear? tis much better to be much abused than however to know’t a little”, this demonstrates that Iago, and the audience know that Othello’s ability to trust is great and demonstrates how easily it could be taken advantage of.
There is likewise significant irony present as the audience understand that this is the integral part of Iago’s plan, to control Othello’s flaw to be advantageous in his strategy. Othello’s character defects of severe passion and love drives Othello to act on impulse, sometimes presenting illogical and irregular behaviour, i. e. his epileptic fit. Othello’s lack of self-questioning likewise requires him to jump to conclusions which basically provoke him to lose self-discipline. Also, his lack of composure is presented when Othello states “How shall I murder him Iago?” immediately after Cassio leaves.
CHARACTER EXPERIENCES A FAILURE, OR “FALL FROM GRACE” An Aristotelian interpretation likewise centres around a character experiencing a downfall, as shown by Emilia to Iago, “Upon my soul, a lie, a wicked lie! “. The whole play is constructed around Iago’s lie, and the downturn is because of this lie. Emilia is mentioning what has just happened, concluding that her other half has actually also deceived her. Iago’s control of Othello also plays a main function in Othello’s descent into insanity. He slyly and thoroughly plots to look for vengeance on Othello by having him gall from status and grace.
VILLAIN AT WORK Another central characteristic of the Aristotelian analysis of Othello is the antagonist, Iago, at work. This is shown through the quote “The moor already changes with my toxin: unsafe conceits remain in their natures poison”. This becomes part of a soliloquy by Iago, where is plan for the handkerchief is exposed. This also exposes part of the basic antagonist characteristics through the method which he is depicting the main protagonist and the racist views that he hold versus him. The use of the word toxin supplies an image of Othello’
THE PROTAGONISTS NOBLE AND SUPERIOR STATUS The view that the main protagonist has a worthy and exceptional status is likewise concentrated on in the Aristotelian reading. This is represented through the declaration,? This would not be believed in Venice’. Through presenting the character of Lodovico at this stage in the play a clear contrast appears in between what Othello was, with superior ethical quality, and what he became. Othello is a basic in Venetian society and rises above the general population. This is also shown through the consistent referral to Othello as “Valiant Othello”.
This demonstrates how Othello is represent to being such a brave guy in society which is portrayed through him being a military leader and for that reason Iago has a motive to bring Othello down. TRAGIC ENDING A terrible ending is likewise a key principle in the ultimate failure of Othello. This is illustrated by Othello’s statement, “My other half, my wife! What wife? I have no partner”. This demonstrates the recognition and remorse of the real state of disgraceful affairs. Repetition is used to highlight feelings, and rhetorical concerns are utilized to enhance the truth of what had actually just happened.